All of the proceeds go directly to the artist.

painting // drawing // sculpture // photography // printmaking // collage // textile // digital // video // mixed media //artists from Nebraska

$25-200 // $200-500 // $500-1000 // $1000-2500 // $2500+

when the wind stops
1,600.00

Qwist Joseph

2015

earthenware, wood, rope

24 x 24 x 36 in.

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10' x 10'
1,800.00

Kristina Estell

2013

silicone rubber, plastic

14 x 14 x 14 inches

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Collection
5,000.00

Kristina Estell

2008

stones, silicone rubber, shelves

96 x 43 x 10 in.

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Ciel
2,000.00

Kristina Estell

2013

silicone rubber, plastic

14 x 14 x 14 in.

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Free Radicals
10,000.00

YK Hong

2013 

leather, dye, adhesive, metal, gomme, wax, nylon

40  x  90  x  5 in. variable

 

METONYMY STATEMENT

The suspended leather and metal clusters from Metonymy are not unlike the communities we form; they are gatherings connected to each other yet also distinctly separate in their own agencies. At times we follow social patterns and regulation, and yet also manage to assert our uniqueness. It is a political act to exist as part of a social structure as a collective people as well as through our struggles to find independence. Each piece in Metonymy is made up of a series of leather constructions, which are also able to be worn on the body. When dissected and exploded, there are "outfits" that represent distinct identities and personalities. There is humanity within our separateness and independence, even if at first we may seem to merely be part of the mass of humanity. Leather evokes ideas of taboo, class, sex, sexuality in addition to an extreme range of emotions and reactions. People have a simultaneous fear and affinity toward leather and the attachments created around it. Communities have been ostracized because of it, while others have been given exclusive social status. It intimates the notion of armored protection, a sense of a living form, and mythical legends. It touches upon people’s unspoken conditioning around class, race, sexuality and gender. It is rebellion. Metonymy expresses our desires and trepidation around society’s biases and prejudices, around the passion to be an individual and a part of a collective identity. We are sums of our parts, as individuals and social beings. As clusters. Thus, our desire to be unique and a part of a whole are reconcilable, and can and do produce beauty in everything around us.

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We Will Not Give Up
2,500.00
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She Told Us to Pray
1,500.00
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Collective Unburdening
1,500.00
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The Other Woman
1,000.00

Maja Radanović

2012

plaster, artificial hair, shirt hardened with polyester resin

14 x 12 x 2.75 in. / 35 x 30 x 7 cm.

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Cocoon
500.00

Maja Radanovic

2012

polyester, plaster, embroidery, c-print

14 x 12 x 3 in. / 35 x 30 x 8 cm.

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Feast
800.00

Maja Radanović

2012 

plaster, polyester, fur, forks

14 x 27.5 x 6 in. / 35 x 70 x 16 cm.

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Lip Fetish
800.00

Maja Radanović

2012

plaster, polyester resin, lipsticks 

14 x 12 x 3 in. / 35 x 30 x 8 cm.

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House XI
200.00

Stefan F. de Beer

2014

wood, polyester, metal, paint

12 x 12 x 4 in.

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Delectus 2
400.00

Stefan F. De Beer

2013

wood, gypsum, styrofoam, rope, metal, urethane

15.5 x 12.5 x 8 in

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House XI
200.00

Stefan F. de Beer

2014

wood, polyester, metal, paint

12 x 12 x 4 in.

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Refinery_me no. 2
750.00

Stefan F. De Beer

2015

mixed media:  wood, metal, polyester, urethane

24 x 29 x 18 in.

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Spaceframe_XS
225.00

Stefan F. De Beer

2015

mixed media:  wood, metal, polyester, urethane

24 x 29 x 18 in.

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The Urban Constant
800.00

Stefan F. De Beer

2015

mixed media:  wood, gypsum, plastic, polystreen, rope, polyester, urethane

74 x 20 x 20 in.

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Consumanoid no. 5
450.00

Stefan F. De Beer

2015

mixed media: wood, gypsum, plastic, polystreen, rope, polyester, urethane

18 x 13 x 5 in

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Sundogs & Sunsets Photo Bundle Sculpture
1,500.00

Craig Roper

2014

mixed media

23 x 15 x 13 inches

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My Mother Was Conceived, Born & Raised 50 Yards West of This Spot
3,500.00

Craig Roper

2014

mixed media

dimensions variable, 36 x 48 in. painting

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Chunky Pencils
0.00

Thomas C. Chung

2012

Yarn & acrylic stuffing

10 x 25 in / 26 x 63 cm 

Photography by Per Ericson

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Falling Donuts (I)
0.00

Thomas C. Chung

2012

Yarn & acrylic stuffing

21 x 10 in / 53 x 26 cm 

Photography by Per Ericson

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