All of the proceeds go directly to the artist.

painting // drawing // sculpture // photography // printmaking // collage // textile // digital // video // mixed media //artists from Nebraska

$25-200 // $200-500 // $500-1000 // $1000-2500 // $2500+

The War Between Us
2,800.00

Julia Ibbini

2011

Unique hand painted pigment print with Swarovski Crystals

31.5 x 32.75 in

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Collisions
2,400.00

Julia Ibbini

2014

Unique hand painted pigment print with Swarovski Crystals

31 x 31 in.

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Untitled Study
1,200.00

Julia Ibbini

2014

Unique hand painted pigment print with Swarovski Crystals

15.75 x 15.57 in.

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November 10th, 2006
375.00

Camille Hawbaker

2013

thread, paper, ink, ash

9 x 12 inches

$375 with plexiglass page stand

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Date Unknown, Black
375.00

Camille Hawbaker

2013

thread, paper, ink, ash

9"x12"

$375 with plexiglass page stand

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May 30th, 2006
375.00

Camille Hawbaker

2013

thread, paper, ink, ash

9 x 12 inches

$375 with plexiglass page stand

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June 17th, 2006
375.00

Camille Hawbaker

2013

thread, paper, ink, ash

9 x 12 inches

$375 with plexiglass page stand

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Radiate
1,200.00

YK Hong

2012

wood and paint   

10 x 10 x 1 in.     

DoJang Series

In Korea, the DoJang (red signature seal), which Koreans use to sign their work, is a vital possession of every Korean, as it is the equivalent to a signature and is used on legal documents or to sign artwork.

YK’s DoJang series is a group of woodwork consisting of an ever-growing number of tablets arranged in groups.  Each tablet is a magnified Korean signature seal.  She has produced over 150 of these tablets and has been exhibiting them in different configurations.  They combine traditional woodcarving with modern printmaking techniques.

The themes range from mindfulness, inspiration, culture, race and identity and the pieces though at times exhibited individually, express their most powerful impact in conjunction with their counterparts.

The viewer can bear witness to each piece of wood that was chipped away.  Instead of exhibiting a print of the woodblock carving, she is displaying the wood itself, carved in non-reverse, to draw attention to the wood as process and end product simultaneously.  The effect is transfixing, and hypnotizing, using patterns, repetition and typography to elicit strong responses from the viewer.

The end result is a powerful visual presentation of messages that draws in the viewer, both through the detail of the technique and the literal message.

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Give (1)
1,200.00

YK Hong

2012

wood and paint   

10 x 10 x 1 in.     

DoJang Series

In Korea, the DoJang (red signature seal), which Koreans use to sign their work, is a vital possession of every Korean, as it is the equivalent to a signature and is used on legal documents or to sign artwork.

YK’s DoJang series is a group of woodwork consisting of an ever-growing number of tablets arranged in groups.  Each tablet is a magnified Korean signature seal.  She has produced over 150 of these tablets and has been exhibiting them in different configurations.  They combine traditional woodcarving with modern printmaking techniques.

The themes range from mindfulness, inspiration, culture, race and identity and the pieces though at times exhibited individually, express their most powerful impact in conjunction with their counterparts.

The viewer can bear witness to each piece of wood that was chipped away.  Instead of exhibiting a print of the woodblock carving, she is displaying the wood itself, carved in non-reverse, to draw attention to the wood as process and end product simultaneously.  The effect is transfixing, and hypnotizing, using patterns, repetition and typography to elicit strong responses from the viewer.

The end result is a powerful visual presentation of messages that draws in the viewer, both through the detail of the technique and the literal message.

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Breathe In Breathe Out
1,200.00

YK Hong

2010

wood and paint   

10 x 10 x 1 in.     

DoJang Series

In Korea, the DoJang (red signature seal), which Koreans use to sign their work, is a vital possession of every Korean, as it is the equivalent to a signature and is used on legal documents or to sign artwork.

YK’s DoJang series is a group of woodwork consisting of an ever-growing number of tablets arranged in groups.  Each tablet is a magnified Korean signature seal.  She has produced over 150 of these tablets and has been exhibiting them in different configurations.  They combine traditional woodcarving with modern printmaking techniques.

The themes range from mindfulness, inspiration, culture, race and identity and the pieces though at times exhibited individually, express their most powerful impact in conjunction with their counterparts.

The viewer can bear witness to each piece of wood that was chipped away.  Instead of exhibiting a print of the woodblock carving, she is displaying the wood itself, carved in non-reverse, to draw attention to the wood as process and end product simultaneously.  The effect is transfixing, and hypnotizing, using patterns, repetition and typography to elicit strong responses from the viewer.

The end result is a powerful visual presentation of messages that draws in the viewer, both through the detail of the technique and the literal message.

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Make. Believe.
1,200.00

YK Hong

2011

wood and paint   

10 x 10 x 1 in.     

DoJang Series

In Korea, the DoJang (red signature seal), which Koreans use to sign their work, is a vital possession of every Korean, as it is the equivalent to a signature and is used on legal documents or to sign artwork.

YK’s DoJang series is a group of woodwork consisting of an ever-growing number of tablets arranged in groups.  Each tablet is a magnified Korean signature seal.  She has produced over 150 of these tablets and has been exhibiting them in different configurations.  They combine traditional woodcarving with modern printmaking techniques.

The themes range from mindfulness, inspiration, culture, race and identity and the pieces though at times exhibited individually, express their most powerful impact in conjunction with their counterparts.

The viewer can bear witness to each piece of wood that was chipped away.  Instead of exhibiting a print of the woodblock carving, she is displaying the wood itself, carved in non-reverse, to draw attention to the wood as process and end product simultaneously.  The effect is transfixing, and hypnotizing, using patterns, repetition and typography to elicit strong responses from the viewer.

The end result is a powerful visual presentation of messages that draws in the viewer, both through the detail of the technique and the literal message.

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Destiny
1,200.00

YK Hong

2012

wood and paint   

10 x 10 x 1 in.     

DoJang Series

In Korea, the DoJang (red signature seal), which Koreans use to sign their work, is a vital possession of every Korean, as it is the equivalent to a signature and is used on legal documents or to sign artwork.

YK’s DoJang series is a group of woodwork consisting of an ever-growing number of tablets arranged in groups.  Each tablet is a magnified Korean signature seal.  She has produced over 150 of these tablets and has been exhibiting them in different configurations.  They combine traditional woodcarving with modern printmaking techniques.

The themes range from mindfulness, inspiration, culture, race and identity and the pieces though at times exhibited individually, express their most powerful impact in conjunction with their counterparts.

The viewer can bear witness to each piece of wood that was chipped away.  Instead of exhibiting a print of the woodblock carving, she is displaying the wood itself, carved in non-reverse, to draw attention to the wood as process and end product simultaneously.  The effect is transfixing, and hypnotizing, using patterns, repetition and typography to elicit strong responses from the viewer.

The end result is a powerful visual presentation of messages that draws in the viewer, both through the detail of the technique and the literal message.

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You Are Where You Should Be
2,500.00

YK Hong

2012

wood and paint   

30 x 10 x 1 in.     

DoJang Series

In Korea, the DoJang (red signature seal), which Koreans use to sign their work, is a vital possession of every Korean, as it is the equivalent to a signature and is used on legal documents or to sign artwork.

YK’s DoJang series is a group of woodwork consisting of an ever-growing number of tablets arranged in groups.  Each tablet is a magnified Korean signature seal.  She has produced over 150 of these tablets and has been exhibiting them in different configurations.  They combine traditional woodcarving with modern printmaking techniques.

The themes range from mindfulness, inspiration, culture, race and identity and the pieces though at times exhibited individually, express their most powerful impact in conjunction with their counterparts.

The viewer can bear witness to each piece of wood that was chipped away.  Instead of exhibiting a print of the woodblock carving, she is displaying the wood itself, carved in non-reverse, to draw attention to the wood as process and end product simultaneously.  The effect is transfixing, and hypnotizing, using patterns, repetition and typography to elicit strong responses from the viewer.

The end result is a powerful visual presentation of messages that draws in the viewer, both through the detail of the technique and the literal message.

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I watched in glee as our kings and queens fought ten decades for the Gods they made
3,200.00

Garric Simonsen

2014

Dry-etching on reclaimed bowling alley wood

28 x 38 in.

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We all need someone we can bleed on
1,000.00

Garric Simonsen

2014

Dry-etching on reclaimed bowling alley wood

15 x 16.5 in.

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Send me dead flowers on my wedding and I won’t forget to put roses on your grave
1,900.00

Garric Simonsen

2014

Dry-etching on reclaimed bowling alley wood

30 x 28 in.

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This is All Gone, All is None
1,200.00

Garric Simonsen

2013

Dry-point and mixed oil based mediums on wood

24 x 30 in.

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šéqsən
900.00

Garric Simonsen

2013

Dry-point, graphite, encaustic on wood

22 x 24 in.

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On a Strong Scent
1,200.00

Garric Simonsen

2013

Dry-point and mixed oil based mediums on wood

24 x 30 in.

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A Design to Help Get You Back on Your Feet
900.00

Garric Simonsen

2012

Dry-point, graphite and mixed oil based mediums on wood

22 x 24 in.

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New Mexico
1,500.00

Craig Roper

2014

mixed media

18 x 24 inches + hand-painted frame

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Oregon
1,500.00

Craig Roper

2014

mixed media

16 x 20 inches each, pair

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Chamula Mirror Painting
1,500.00

Craig Roper

2014

mixed media

28 x 22 inches

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Almost Heaven
1,500.00

Craig Roper

2014

mixed media

20 x 26 inches

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Badlands
1,500.00

Craig Roper

2014

mixed media

24 x18 inches

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Dirt
1,500.00

Craig Roper

2014

mixed media

16 x 20 inches + hand-painted frame

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Sandhills Motel
1,500.00

Craig Roper

2014

mixed media

14 x 14 inches

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worms, worms, worms
1,500.00

Craig Roper

2014

mixed media

20 x 16 inches + custom Italian frame

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Bake Sale Today
3,000.00

Craig Roper

2014

mixed media

48 x 36 inches

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Crows Mud Beer
500.00

Craig Roper

2014

mixed media

14 x 11 inches + hand-painted frame

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Hunting Painting
1,500.00

Craig Roper

2014

mixed media

22 x 28 inches + hand-painted frame

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Guns Beer Mud Crows
1,500.00

Craig Roper

2014

mixed media

20 x 16 inches + hand-painted frame

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I Wouldn’t, I Would Not, Go There
1,500.00

Craig Roper

2014

mixed media

25 x 19 inches

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Stoic Tree, Mesa Verda
1,500.00

Craig Roper

2014

mixed media

24 x 30 inches

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Mexico
2,500.00

Craig Roper

2014

mixed media

30 x40 inches

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Blue-Eyed Black Bull
2,500.00

Craig Roper

2014

mixed media

30 x 40 inches

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Farming Las Vegas
1,800.00

Craig Roper

2014

mixed media

27 x 40 inches

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Dirty Shooter
2,500.00

Craig Roper

2014

mixed media

50 x 26 inches

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Fucked-Up Land
2,500.00

Craig Roper

2014

mixed media

54 x 26 inches

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Pussy Power
1,500.00

Craig Roper

2014

mixed media

24 x 18 inches

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Go West
1,200.00

Craig Roper

2014

mixed media

20 x 16 x 3 inches

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Something About the Space
2,500.00

Craig Roper

2014

mixed media

33 x 27 inches + hand-painted frame

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Good People
1,500.00

Craig Roper

2014

mixed media

9 x 9 inches

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